I'd always had a sneaking suspicion that you would die early on.
In fact, for a while I wanted to be the one to end your pitiful life for you. Those conversations late at night, asking why you didn't just kill yourself to stop ruining the lives of everything around you.
After a while, the only answer I could get out of you was in the form of another line of meth off a cottonmouth kings album.
You got better. I stopped coming around. Your family still hates me. Too bad they're never in the same place together long enough anymore for me to say anything to them about it.
Now you're drinking yourself to death. Why would you try to live the life of the glamorous street urchin who wakes up on a thirty year old morning wondering what happened to their life?
Is that voice of a child lost adrift in a sea of anti-psychotics going to be the one I take with me to your funeral?
Have a safe journey, “Narnia”

I'm at a school type thing but that ends and I'm in this complex. Industrial. It's night time.
Lots of people working on things.
My father is in another building and I want to go check to see if he's there so I can get a ride or take the train.
On my way there I meet a girl in an elevator.
She's kinda short. Light skinned, short hair in small curls, light brown eyes, and a business suit. Really great smile.
She starts talking to me in the elevator about how she works for the television station that's in the building and saying that she need to go to Indian creek station for something and then back here and wanted to know if I could come with. While talking she does this weird but extremely erotic stretch against the wall of the elevator. Her leg and thigh is pressed up against the wall. I go to touch her thigh but stop myself. Of course I say sure I'll go.
We're walking in the station and I'm asking her questions. I ask her how she got into the TV biz and she tells me it's just where school led her.
We get on a train and sit next to each other talking. The train is crowded.
We get off that train to get on another and we see the train coming but two very large, almost biker looking men come running out of the tunnel in front of the train. They beat the train there and the girl and I congratulate them.
As we get on this train we realize it's pretty packed as well. I want to sit by her but there's no room. After a while, we end up kind of sitting by each other with her leg around mine. I keep accidentally scraping her calf with my shoe though and she gets upset after a while saying I was making her all ashy. I tell her to throw some lotion on it and move on. She laughs and smiles.
While getting off the train I go to sneak a picture of her with my phone. She catches me and deletes it saying she'll just send one to my phone.
We get to the station and it's sunny out. There are a lot of people at this station. None of the stations looked like the actual stations. We wait for a bus. I ask her where she's from and she writes a symbol on the wall saying she's from Greece and says something I couldn't understand.
At that point I realize I hadn't asked her name yet. I go to say “I'm sorry for being so rude but what's your name anyway?” she smile again and opens her mouth – thenI wake up.
So I'm in my room and I overhear a conversation between my parents...
“So what did you think of them stopping by?” Michelle said in her usual overly loud voice.
“Well, I'm glad they did but I'm trying to write this email to Angela Davis asking for permission to film her speech at Emory so I'm really trying to concentrate on that...” Gary replied with an especially monotone voice.
“For what?” Michelle asked with the confusion of a child given a stat problem.
Now, I personally would have gotten ignorant as fuck.
“The fuck you mean 'for what'? It's Angela mofuccen Davis and I just told yo ass I was trying to film her...”
But Gary replied calmly with “Well, I just said I was trying to film her for my TV show and I don't want Emory freaking out...”
“Oh, okay... sorry. We'll talk later then.” Michelle said as she turned the volume up on the television.
I really need to start watching my tongue...
A security guard walked up to us at school earlier and my first response was to say “Oh hey officer, what code did we violate this time?” to which he just sort of looked at me for...
It's not as though I even try to be funny or mean with the things I say but I'm starting to think my bluntness will bite me in the ass sometime soon.
Spaz.
"Where did my food go?"
"They threw it away."
"Why!?"
"It looked like trash."
"Not to me! "
Larae, I'm gonna say this too the next time we talk but if you read it here it's just as good, you know you'd be far more upset than I was if someone had just thrown away what you'd spend $5 on. Ergo, it's not really cool or helpful to just act all nonchalant and indifferent about it...
I don't know... maybe I was just expecting more than "shit happens so don't look at me even though I said I'd watch it"

I'd honestly rather this doesn't end up like my myspace blog where I would post once an eon.
It's not that nothing has been happening in my life that I wouldn't mind talking about. Things like helping Allen and Von reach their street dreams, my growing feelings for Amber, and other random little mummers. I just feel like most of that can be left unsaid for now.
For the sake of wanting to just write something I will go into details on some things.
At this point, I have all the possible digital technology anyone would need to make an album that could go platinum or whatever it is the recording industry gives to artists who swallow, yet this also means I've reached the point as their “sound engineer” (aka I know how to make things sound a little less like they were made in FL8) where they need to start bringing the real talent to the table. I'm not saying they didn't have skills and enough energy about things to last days but, when I'm having to get everything set up only to sit there for ages waiting for them to finish writing verses without any real set direction, it becomes tiresome. Then I get to listen to Von trip over the same parts countless times. It's one thing when you're free styling, but when it's off the paper and you're in a situation that, I feel, should require some minimum level of dedication to time management (especially considering they were talking about having a song finished and uploaded by that night), it helps to try and work things out before you step up to the mic. Allen and Nard got their verses down in one or two shots and were done with it. The whole thing was a big learning experience for everyone so I can't say too much.
Needless to say, we didn't finish recording that night.
Everyone keeps asking me what's going on with Amber, so, I'll take the time to say this. You all already know how I feel about it. These things take time and so I'm trying to be the best person I can by trying (and sometimes, failing) to just let things ride and develop themselves. Surely you've all seen what happens when things are rushed or worse, forced along. Nothing good. It should also be noted that, as hard as it is for me to wait and, trust me, some things about it kill me, I'm learning a lot about myself, my perspectives on things, my habits of approaching situations, and other people around me in the process. This is still very hard though as I do really want things to be stable and all that goodness but if this is how things are going to go then I whole heartedly accept them as such and will value them all the same since it's all worth it in the end. Wherever that end may be.
I feel like my music is getting better every time I go to make something. It may be because I'm always learning new things about the creative process but whatever it is, I feel it's working. I just have to keep recording more and figure out how to get it out there in better ways. Here's looking at you Axem.
Thanks for reading and I hope you the best.


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